When Lady Gabriella Windsor arrived at the Plaza Hotel for the 25th Annual Brazil Foundation Gala, she didn’t just step onto the red carpet, she owned it. The royal, 44, who co-chaired the high-profile event, wowed in a turquoise corsage dress that turned the entrance into a runway moment.

Paying homage to South American designer PatBO, the sculptural blooms rippled across her frame like wearable art - a sophisticated twist on one of Carrie Bradshaw’s most recognisable signatures. 

Finished with gleaming gold drop earrings and a matching bracelet, the ensemble fused regal restraint with unapologetic Sex and the City drama.

The scene could have been lifted straight from Manhattan’s most glamorous fashion episodes - recalling Sarah Jessica Parker’s floral era as Carrie Bradshaw. 

For more than two decades, Parker’s alter ego has been shorthand for fearless individuality, exuberant silhouettes and statement blooms that redefine eveningwear.

Carrie once made headlines in a fuchsia Christian Siriano gown crowned with an oversized flower. 

Lady Gabriella reimagined the aesthetic in oceanic blue, turning it into an uptown gala look rather than downtown spectacle. 

PatBO’s architectural draping and bold colour proved an astute choice for the occasion, elevating Brazilian craftsmanship on a global stage.  

Founder Patricia Bonaldi has built her label on couture-level detail with modern ease - an ideal match for a young royal mixing fashion with philanthropy. 

On Lady Gabriella, the sculpted corsage read less costume, more couture; less nostalgic nod, more forward-looking tribute to Latin American craft. 

Her accessories echoed the same restraint. Gold earrings catching the ballroom light and a single bracelet offering just enough balance. 

The result was powerful yet effortless, a masterclass in how the new generation of royals uses fashion as a cultural calling card, blending pop-culture references with palace polish.