The Beatles fans have hailed a pairing of tracks from the iconic band as the "greatest transition of all time".

This accolade relates to when one tune seamlessly flows into the next, a technique that The Beatles perfected in their Abbey Road album.

Ever since its 1969 release, Abbey Road has been lauded as one of the historic masterpieces in the music world, with fans still marveling at its imaginative progression.

Even now, Paul McCartney, John Lennon, George Harrison, and Ringo Starr continue to receive acclaim for their work upon the album's release.

A recent post to social media has sparked fans of The Beatles to declare the medley found on the B-side of the album as one of the most spectacular musical feats known.

In particular, Golden Slumbers and Carry That Weight are receiving immense praise from enthusiasts.

These melodic creations, both written by McCartney, have captivated listeners since they hit the airwaves in 1969.

A passionate fan commented: "Literally the greatest song transition of all time." In addition, other fans weighed in, expressing their adoration for more of The Beatles' transitions.

A user mentioned: "I actually think that the transition from Carry That Weight to The End - with Ringo's drum solo and Paul's unforgettable vocal Oh Yeah, All Right! - is even better. But the whole album is the ultimate masterpiece, and probably my favorite album of all time!".

Another admirer added: "Literally have never listened to one without listening to the other – that transition kills me every time it's so perfect."

A third fan wrote: "When the melody from 'you never give me your money' is reused in 'carry that weight' but with all the horns... I cry every time it's so good."

Another argued the segue from Polythene Pam to She Came in Through the Bathroom Window heard earlier on Abbey Road rivals the transition between Golden Slumbers and Carry That Weight for its seamless brilliance.

Despite the adoration from fans, The Beatles themselves weren't always enamored with their own musical transitions.

John Lennon was particularly critical, branding the B-side of the album as "junk", hastily thrown together, and even singled out some of Paul McCartney's contributions as tunes "for the grannies to dig".

Similarly unimpressed, George Harrison cast a sceptical eye over McCartney's songs on the record. In an interview delivered mere weeks before Abbey Road hit the shelves, he was dismissive of 'Maxwell's Silver Hammer', calling it "just something of Paul's" and bemoaned the excessive amount of time spent recording it.